Stock Music Market Size to Reach Revenues of over $1 Billion by 2024 – Arizton

 

The global stock music market size is expected to grow at a CAGR of about 9% during 2019 -2024. 

The global media & entertainment market is also growing rapidly. Technology and the pervasive smartphone penetration have opened up alleys for the widespread adoption of video games. Further, video game production is entering a global distribution phase owing to the introduction of tax incentives, lower computing costs, and low regional labor costs. Consequently, there is expected to be a lot of knowledge sharing, improving the quality of video games through an increased focus on technology, game elements, sound design, and more on how it shapes a game’s experience. Sound effects are expected to be looked at from a more holistic perspective; as a result, increasing their relevance and subsequently their demand. Digital audio ad spending is also pushing the market forth.

Arizton’s recent market research report considers the present scenario of the global stock music market and its market dynamics for the period 2018−2024. It covers a detailed overview of several market growth enablers, restraints, and trends. The study covers both the demand and supply sides of the market. It profiles and examines leading companies and other prominent companies operating in the stock music market.

 

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Stock Music Market – Dynamics

Here are the list of trends and drivers that are impacting the revenues and profitability in the stock music market:

  • Rise of Independent Content Creators
  • The Podcast Renaissance
  • Audio-based User Experiences Gaining Traction
  • Growing Popularity of Sound Design-first Approach
  • Growth of TV Style Programming
  • Simplifying Licensing
  • Increasing Intuitiveness of Filters
  • Growth of Platform Integrations
  • Authenticity Comes to the Forefront
  • Immersive Sound Design Gains Ground

 

Stock Music Market – Segmentation

The research report includes a detailed segmentation of the market by product, license, end-user, and geography.

  • The music track segment is highly diversified. The age of personal creation is fueling the stock music market by tracks. As the market was once dominated by low-quality music and kept great musicians out of the game, emerging business models harmonize the quality and price.
  • Several SMEs and individuals are finding the royalty-free model appealing and economical. The intensifying start-up culture in high-growth countries such as India is expected to boost the demand for royalty-free music. Further, key vendors are focusing on online affiliates and organic search, aimed at gaining speed and building authority in search listings by offering strong content, which is expected to drive the stock music market globally.
  • The growth of online radio services has fueled small business advertising via audio channels since they offer reliability by allowing tracking and targeting. This is boding well for the growth of the SME stock music market. Further, SMEs are engaged more in new marketing practices than large firms; they are likely to explore innovative marketing strategies to push their products or services.

 

Market Segmentation by Products

  • Tracks
  • Sound Effects

 Market Segmentation by License

  • Royalty-free
  • Licensed Music

 Market Segmentation by End-user

  • Large Business
  • SMEs
  • Individual Content Creators

 

Stock Music Market – Geography

While the value of stock music in developed economies has been affixed, stock music in developing and emerging economies is just about gaining importance in the marketing mix that is outside of traditional channels and movies. The advertising space in the North America region has grown exponentially due to the occurrence of cyclic events such as the Olympics and elections. Further, the growing need for audio-visual and interactive storytelling is emerging as a new opportunity in the North American market.

 

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Market Segmentation by Geography

  • North America
    • US
    • Canada
  • APAC
    • China
    • Japan
    • India
    • South Korea
  •  Europe
    • UK
    • Germany
    • France
    • Italy
  •  ROW
    • UAE
    • South Africa
    • Brazil

 

Stock Music Market – Vendor Landscape

The global stock music market is moderately consolidated. Single artist, community-based and mass players are the three types of agencies present in the global stock music market. There are a number of specialist agencies that are catapulting the industry forward just as they keep up with technology and demand developments.In addition, there are several small and large vendors that are altering the stock music business by new approaches and models such as subscription-only. Further, vendors will compete on quality, distribution capabilities, brand recognition and reputation, degree of localization, and customer service.

 

Key Vendors

 

  • Audio Network
  • Getty Images
  • Shutterstock
  • Musicbed
  • Envato

 

Other prominent vendors are 123rf, Art-list, Audiosocket, Bensound, Dreamstime, FyrFly-SongFreedom, Jamendo, Motion Array, Music Vine, Videvo, Storyblocks, Soundsnap, Earmotion, Epidemic Sound, Pond5, MusicRevolution, Marmoset, Soundstripe, Neosounds, and The Music case.

 

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