{"id":517406,"date":"2020-11-14T02:40:01","date_gmt":"2020-11-14T02:40:01","guid":{"rendered":"https:\/\/www.abnewswire.com\/pressreleases\/?p=517406"},"modified":"2020-11-14T02:40:01","modified_gmt":"2020-11-14T02:40:01","slug":"enter-stardom-with-dollhouse-the-eradication-of-female-subjectivity-from-american-popular-culture-on-amazon-prime","status":"publish","type":"post","link":"https:\/\/www.abnewswire.com\/pressreleases\/enter-stardom-with-dollhouse-the-eradication-of-female-subjectivity-from-american-popular-culture-on-amazon-prime_517406.html","title":{"rendered":"Enter Stardom with \u2018DOLLHOUSE: The Eradication of Female Subjectivity from American Popular Culture\u2019 on Amazon Prime"},"content":{"rendered":"
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DOLLHOUSE: THE ERADICATION OF FEMALE SUBJECTIVITY FROM AMERICAN POPULAR CULTURE \/\/ ROCK SALT RELEASING<\/div>\n<\/div>\n<\/div>\n
\u201cDark, artsy, and featuring some hauntingly catchy music, this flick was hard to watch, but impossible to ignore,\u201d wrote Bubble Blabber.<\/div>\n
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Los Angeles, CA – Nov 14, 2020 –<\/strong> Stream ‘DOLLHOUSE: The Eradication of Female Subjectivity from American Popular Culture’ on <\/strong>Amazon Prime:<\/em> https:\/\/amzn.to\/3eMXNUN<\/a>.<\/p>\n

From writer\/director\/producer, Nicole Brending (Selfied<\/em>, Operated by Invisible Hands<\/em>) and released by ROCK SALT RELEASING<\/strong>, DOLLHOUSE<\/em>: The Eradication of Female Subjectivity from American Popular Culture<\/em> is a brilliant and brave satire of misogyny told through our society’s perspective of women as objects.<\/p>\n

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As a dark comedy set in the bubble gum pop world of Britney Spears and Lindsay Lohan and told by entertainment reporters, DOLLHOUSE<\/em> chronicles the triumph and train wrecks of fictional child pop star, Junie Spoons. Her fall from grace is a cautionary tale about the consequences of denying women their own voice and a reflexive expose forcing us to acknowledge the less than savory pop industrial complex we all can’t help but buy into.<\/p>\n

“Told in an extremely crass and graphic style with modified (sometimes, horrifically) fashion dolls that evoke Matt Stone and Trey Parker’s Team America: World Police<\/em>,” wrote Pop Culture Cosmos<\/a>, DOLLHOUSE<\/em> has “spot-on storytelling that provides moments of true clarity on the evils of our society.”<\/p>\n

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Junie falls into the trap of fame, money, drugs and the misogynistic Hollywood starlet world, from losing her virginity in a viral sex tape, to posing at Playtoy (aka Playboy) at age 15, Junie has been well noted for an infamous court battle over rights, a Patty-Hearst style kidnapping and bank heist, and her high-speed police chase and shutdown of Los Angeles’ Ventura FWY in her pink Ford Bronco.<\/p>\n

Stylized by puppets to reveal the hypocrisies of an opportunistic society that preys on the talents and contributions of women, DOLLHOUSE<\/em> is a scathing look at what it means to be female in a modern world; assaulted by men and women and harassed by the media, representing a new era obsessed with identity and entitlement. <\/p>\n

“DOLLHOUSE: The Eradication of Female Subjectivity from American Popular Culture<\/em> might be the most grotesque and nauseating films you see this year. It might also be one of the most relevant and important,” wrote The Critical Critics<\/a>.<\/p>\n

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DOLLHOUSE<\/em>: The Eradication of Female Subjectivity from American Pop Culture<\/em> is now streaming on various digital platforms (Amazon, InDemand, FlixFling, FANDANGO, Vudu and Vimeo on Demand). Stream the trailer here: https:\/\/www.youtube.com\/watch?v=7xGzKZCOw1w.<\/p>\n

Alongside Brending who voiced Junie Spoons and several other puppets, DOLLHOUSE<\/em>: The Eradication of Female Subjectivity from American Pop Culture <\/em>features voiceovers from Aneikit Bonnel (Grosse Pointe Blank<\/em>, The Bounty Hunter<\/em>, Hitch<\/em>), Erik Hoover (The Stranger<\/em>, A Method<\/em>, God’s Cookery<\/em>), Peter Ooley (The Life of Riley<\/em>, Group Home<\/em>), Adam Sly and Sydney Bonar.  <\/p>\n

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Dollhouse: The Eradication of Female Subjectivity from American Popular Culture<\/strong> (2018, 77 min.) Written and directed by: Nicole Brending. Producer: Nicole Brending. Original music: Jean-Olivier Bégin. Cinematographer: Nicole Brending. Editor: Nicole Brending. USA, English. Playing With Dolls LLC, Rock Salt Releasing.<\/p>\n

Production Company: <\/strong>Playing With Dolls LLC.<\/p>\n

ABOUT ROCK SALT RELEASING: <\/strong>Daisy Hamilton curates artistic, award winning auteur films for worldwide theatrical release: www.rocksaltreleasing.com<\/p>\n

About TriCoast Worldwide: <\/strong><\/p>\n

TriCoast Worldwide is a premium international sales agent, representing the best of US and international films at all the major film markets. Sister company to TriCoast Entertainment and TriCoast Studios.<\/p>\n

Founded by<\/strong>: Strathford Hamilton and Marcy Levitas Hamilton.  <\/p>\n

Media Contact<\/span>
Company Name:<\/strong> TriCoast Entertainment <\/a>
Contact Person:<\/strong> Jenna Wilen
Email:<\/strong> Send Email<\/a>
Phone:<\/strong> 3104587707
Address:<\/strong>11124 Washington Blvd.
City:<\/strong> Culver City
State:<\/strong> California
Country:<\/strong> United States
Website:<\/strong> http:\/\/www.tricoastworldwide.com<\/a><\/p>\n

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DOLLHOUSE: THE ERADICATION OF FEMALE SUBJECTIVITY FROM AMERICAN POPULAR CULTURE \/\/ ROCK SALT RELEASING \u201cDark, artsy, and featuring some hauntingly catchy music, this flick was hard to watch, but impossible to ignore,\u201d wrote Bubble Blabber.   Los Angeles, CA – … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[433,454,434,439,446],"tags":[],"class_list":["post-517406","post","type-post","status-publish","format-standard","hentry","category-Arts-Entertainment","category-Celebrity","category-Fashion-Beauty","category-Leisure-Activities","category-Society-Culture"],"_links":{"self":[{"href":"https:\/\/www.abnewswire.com\/pressreleases\/wp-json\/wp\/v2\/posts\/517406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.abnewswire.com\/pressreleases\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.abnewswire.com\/pressreleases\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.abnewswire.com\/pressreleases\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.abnewswire.com\/pressreleases\/wp-json\/wp\/v2\/comments?post=517406"}],"version-history":[{"count":0,"href":"https:\/\/www.abnewswire.com\/pressreleases\/wp-json\/wp\/v2\/posts\/517406\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.abnewswire.com\/pressreleases\/wp-json\/wp\/v2\/media?parent=517406"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.abnewswire.com\/pressreleases\/wp-json\/wp\/v2\/categories?post=517406"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.abnewswire.com\/pressreleases\/wp-json\/wp\/v2\/tags?post=517406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}